DATA BY DESIGN
An Interactive History of Data Visualization
1786-1900
What is the story we tell about the emergence of modern data visualization?
How might we tell that story differently?
The Amalgamation of White and Black elements of the population in the United States by W.E.B Du Bois. Atlanta University. Library of Congress.
Some Words From Lauren
Some more text Additional research for this project was completed through fellowships from the American Antiquarian Society and the Library Company of Philadelphia.
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1769 1772-73 1787 1788 1789 1801 1803 1808 1821 1823 1846 1849 1850 1855 1856 1858 1869 1874 1898 1899 1900 1935 1998 TIMELINE
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A student chart from The Polish-American System of Chronology by Anonymous 1850
Courtesy of the American Antiquarian Society. Photo by the author.
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CHAPTERS

Every Datapoint a Person
The Brooks / Diagram of a Slave Ship
Before there are data, there are people. People who offer up their lives as data -- or whose lives become data without consent.
What Visualization Reveals
William Playfair's Time-Series Charts
Data visualization has never been neutral or objective. There is a meaning -- and an argument -- conveyed through each design.
Narratives of Possession
Emma Willard and Shanawdithit’s Narrative Maps
Maps can create nations and contest them.
How have maps been used to document multiple pasts?
The Work of Knowledge
Elizabeth Palmer Peabody’s Chronological Grids as Argument
We have come to believe that data visualizations should be clear and efficient. Is there value in designs that make us pause and reflect?
Between Data and Truth
W. E. B. Du Bois’s “Data Portraits”
How can data visualization bear witness to oppression? How can it hold space for what cannot be conveyed through data alone?
Labour
W. E. B. Du Bois’s “Data Portraits”
How can data visualization bear witness to oppression? How can it hold space for what cannot be conveyed through data alone?